{"id":1431,"date":"2021-11-29T18:40:04","date_gmt":"2021-11-29T18:40:04","guid":{"rendered":"https:\/\/kasparzehnder.com\/en\/?post_type=cd_reviews&#038;p=1431"},"modified":"2022-02-10T22:35:04","modified_gmt":"2022-02-10T22:35:04","slug":"cd-review-example-2","status":"publish","type":"cd_reviews","link":"https:\/\/kasparzehnder.com\/en\/cd_reviews\/cd-review-example-2\/","title":{"rendered":"MusicWeb Intrenational: Review Joseph Lauber Sinfonies"},"content":{"rendered":"\n<p><strong>MusicWeb International by Jonathan Woolf <\/strong><br><strong>The notes to this premi\u00e8re recording disarmingly begin by asking \u2018Joseph who?\u2019 and it\u2019s true that if one knows Lauber\u2019s name at all it\u2019s largely in relation to his works for flute and harp, not for large-scale symphonies, though he wrote six of them, all of which are to be recorded in this series.<\/strong><\/p>\n\n\n\n<p> A brief biography of the Swiss composer, who was an exact contemporary of Richard Strauss, would also include his birth near Lucerne, music studies at the Zurich Conservatory under his composition teacher Friedrich Hegar, a friend of Brahms, and some further studies with Joseph Rheinberger in Munich. Then there was Paris where he honed his pianistic skills with Louis Di\u00e9mer and compositional ones with Massenet. Later, on his return to Switzerland, he became professor at the Conservatoire in Geneva. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.schweizerfonogramm.com\/cd\/joseph-lauber-1864-1952-sinfonien-nr-1-und-2\/\"><img decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/kasparzehnder.com\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/20_10_SFG_Lauber_WEB.jpg\" alt=\"\" class=\"wp-image-961\" srcset=\"https:\/\/kasparzehnder.com\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/20_10_SFG_Lauber_WEB.jpg 200w, https:\/\/kasparzehnder.com\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/20_10_SFG_Lauber_WEB-150x150.jpg 150w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><figcaption>Volume I, Lauber Sinfonies by Schweizer Fonogramm<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\" href=\"http:\/\/www.musicweb-international.com\/classrev\/2021\/Jan\/Lauber-sys-SCHWEIZER-FONOGRAMM.htm\" target=\"_blank\" rel=\"noreferrer noopener\">Read more<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>MusicWeb International by Jonathan Woolf The notes to this premi\u00e8re recording disarmingly begin by asking \u2018Joseph who?\u2019 and it\u2019s true that if one knows Lauber\u2019s name at all it\u2019s largely in relation to his works for flute and harp, not for large-scale symphonies, though he wrote six of them, all of which are to be [&hellip;]<\/p>\n","protected":false},"featured_media":1935,"template":"","meta":{"inline_featured_image":false},"categories":[],"tags":[],"class_list":["post-1431","cd_reviews","type-cd_reviews","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/kasparzehnder.com\/en\/wp-json\/wp\/v2\/cd_reviews\/1431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kasparzehnder.com\/en\/wp-json\/wp\/v2\/cd_reviews"}],"about":[{"href":"https:\/\/kasparzehnder.com\/en\/wp-json\/wp\/v2\/types\/cd_reviews"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kasparzehnder.com\/en\/wp-json\/wp\/v2\/media\/1935"}],"wp:attachment":[{"href":"https:\/\/kasparzehnder.com\/en\/wp-json\/wp\/v2\/media?parent=1431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kasparzehnder.com\/en\/wp-json\/wp\/v2\/categories?post=1431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kasparzehnder.com\/en\/wp-json\/wp\/v2\/tags?post=1431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}